EDUCATION
[2010–2012] Master of Arts in Design, Editorial Design at the Zurich University of Arts – ZHdK
[2002–2008] BA in Social Communication at the Federal University of Pernambuco – UFPE
[2002–2008] BA in Social Communication at the Federal University of Pernambuco – UFPE
LANGUAGES reads, writes and speaks Portuguese, English and German. Reads in French and Spanish. Learning Mandarin.
TOOLS Daily work with Adobe Indesign, Illustrator and Photoshop, MS Excel, Word, Powerpoint, Google's and Dropbox's sharing tools; occasional experiences with website publishing and interaction platforms; notions in writing with HTML and CSS and in video editing.
PROJECTS
[2023]
— Olho da rua — the book of the music of the film, by Homero Basílio and Jonathas de Andrade.
Joint publication with Editora Impressões de Minas. Editorial coordination, co-editing of texts, edition of scores, co-editing and treatment of images.
(work in progress — launching soon)
(work in progress — launching soon)
— cristianolenhardt.com.br, for Cristiano Lenhardt.
Rebuilding of Cristiano Lenhardt's website, server migration, structure update and content re-editing.
(work in progress)
(work in progress)
— Na cidade da ressaca, Jonathas de Andrade, curated by Moacir dos Anjos, Mamam.
Graphic design of the exhibition and promotion. Graphic edition of the catalog.
[2022]
— Hotel Solidão, Marcelo Silveira.
Graphic edition of the book.
— Decalque--estilhaço, Jonathas de Andrade.
Workflow coordination and graphic support for the installation.
— ATA, Marcelo Silveira by Michael Asbury, Nara Livros.
Image research and graphic editing for the book.
— Com o coração saindo pela boca [With the heart coming out of the mouth], Jonathas de Andrade.
Workflow coordination and graphic interventions for the installation.
— Olho da rua (Outloud), Jonathas de Andrade.
Graphic interventions for the film. Exhibition poster.
— Adeus, Capitão, Vídeo nas Aldeias.
Visual identity for the film.
[2021]
— AGIR LOCAL: territorial management and democracy, an experience in Conde – Paraíba – Brazil.
Editorial coordination of the book, graphic design in partnership with Rodolfo Santana.
— Staging resistance, Tejucupapo Battle, Jonathas de Andrade, Foam Amsterdam.
Coordination of workflow and graphic interventions of the photographic installation.
— nova sinfonia cotidiana, Pernambuco and Paraíba editions, Caroline Oliveira and Janaína Quetzal, Deriva Filmes.
Visual identity and credits for the films.
— Sonhos, Francisco Lacerda.
Graphic editing of the text inserts in the film.
— Mulungu, Caroline Oliveira, Deriva Filmes.
Prospecting material.
— Eclesiástico, Gentil Porto Filho.
Graphic design and editorial coordination of the book.
— MESH, Gentil Porto Filho.
Graphic design and editorial coordination of the book.
[2020]
— Livro Fechado, Gentil Porto Filho.
Graphic design and editorial coordination of the book.
— Cavalo, Qualquer Um dos 2 Cia de Dança.
Visual identity for the show's promotion.
[2019]
— Caravana do Homem do Nordeste, Jonathas de Andrade.
Visual identity for the itinerant show (Petrolina, Garanhuns and Goiana).
— Compacto itinerância, Marcelo Silveira.
Visual identity of the itinerant show (in the cities of Triunfo and Floresta, Pernambuco), catalog publishing.
— One to One, Jonathas de Andrade, MCA Chicago.
Research and development of the works in the show.
[2018]
— Jeguatá: travel diaries, Ana Carvalho, Ariel Kuaray Ortega, Fernando Ancil and Patrícia Ferreira Para Yxapy.
Graphic editing of travel journal on website.
[2017]
— Residência Belojardim, Marcelo Silveira, Cristiana Tejo, Kiki Mazzuchelli.
Editing of the website, visual identity of the exhibition, edition of the catalog.
— Dja Guata Porã: Rio de Janeiro Indígena, Clarissa Diniz, José Ribamar Bessa, Pablo de La Fuente, Sandra Benites, Museu de Arte do Rio.
Visual identity of the show, graphic edition of the timeline. In collaboration with Denilson Baniwa, Cristina Lino Gouvêa and Marcus Vinicius Santos.
— O pensamento museológico de Gilberto Freyre, Gleyce Kelly Heitor.
Graphic edition of the book.
[2016]
— Martírio, Vídeo nas Aldeias.
Illustration and visual identity of the promotion, graphic editing of the maps and credits of the film, film poster.
— Convocatória para um Mobiliário Brasileiro [Call for a Brazilian Furniture], Jonathas de Andrade, MASP.
Visual identity of the exhibition, creation and editing of the website, text co-editing.
— Raza y Classe, 1951–2016, Jonathas de Andrade, Santa Fe Site.
Expography and text and graphic editing of the work.
[2015]
— Art-vehicle, Ana Maria Maia.
Graphic editing of the book.
— Recibo 056 — dystopian brazil, Roberto Traplev and Fábio Morais.
Graphic editing, printing and finishing.
— Spring Sessions, Amman.
Editorial residency.
— Matéria Superordinária Abundante [Superordinary Abundant Matter], Cristiano Lenhardt.
Visual identity and show catalog.
[2014]
— Museu do Homem do Nordeste [Museum of the man of the Northeast], Jonathas de Andrade, Museu de Arte do Rio.
Visual programming of the show.
— 2in1, Jonathas de Andrade.
Artist's book.
— Vocabulário Político para Processos Estéticos [Political Vocabulary for Aesthetic Processes], Cristina Ribas.
Graphic edition of the book.
— A Casa. Como Convém.
Organization and graphic edition of the book.
— There was a boy, Ramonn Vieitez.
Visual identity of the show and catalog.
— Valsas [Waltz], Amparo 60 gallery and Ana Maria Maia.
Graphic editing of the book and visual identity of the show.
— Recibo 018 — Bacurau, Roberto Traplev.
Graphic editing, printing and finishing.
— Solta e Prende, Silvan Kälin.
Publication
Design and programming of the artist's website-portfolio.
— O que restou da 1ª Corrida de Carroças do Centro do Recife [What was left of the 1st cart race in Downtown Recife], Jonathas de Andrade.
Cataloging and arrangement of information for exhibitions at Wexner Center of Arts (USA) / Galleria Continua (IT) / MAMAM (Recife)
[2013]
— Cineclube Acordo Tácito, Matthias Dolder
Posters for sessions, design, digital version and print.
— Museu do Homem do Nordeste, Jonathas de Andrade and Kunsthalle Lissabon.
Graphic edition of the poster book.
— II Panorama do Pensamento Emergente [panorama of emerging thought], Cristiana Tejo.
Signage and graphic material of the seminar.
— O MUNDO — Culture and Nature in Lagoa do Ouro, Silvan Kälin.
Editing and publication of the book. Website design and programming. Dissemination.
— A dobra do raciocínio geométrico, Cristiano Lenhardt.
Graphic edition of the book.
— B³, B³ space.
catalogs/posters for exhibitions.
[2012]
— Nostalgia, a class sentiment, Jonathas de Andrade.
Expography and transposition of the translated drawing.
— A CASA. COMO CONVÉM. ZHdK.
Final master's project, catalog and translation.
[2011]
— Manual dos Manuais, Marcelo Silveira.
Project-book.
— Postcards from Recife, Galeria Amparo 60.
Creation and printing of a series of invitations for the exhibitions of 2011.
[2010]
— 03 in 01 Exhibition Registration Book, Marcelo Silveira.
Cultural Center Correios, Recife.
— Cajacatinga/Paisagens, Marcelo Silveira.
Poster, 29th São Paulo Biennial.
— BANCA, Mariana Moura Gallery.
Visual identity for the multiples store.
— A CASA. COMO CONVÉM. Mariana Moura Gallery.
Invitation/catalog for the exhibition.
— Nenhuma Luz [No Light], Cristiano Lenhardt.
Invitation for exhibition, Amparo 60 Gallery.
— Caixa de Retratos – Edição do Cariri [Portrait Box - Cariri Edition], Marcelo Silveira.
Book, Instituto Cultural BNB.
— One Man Exhibition, Silvan Kälin.
Co-edition of book-exhibition.
[2009]
— One Man Logos Booklet, Silvan Kälin.
— Krimilein.
Cine-Booklet, mini-thriller novel.
[2008]
— THE WORLD. CULTURE AND NATURE IN LAGOA DO OURO, Silvan Kälin.
Prototype, photo-book.
— Letter to Mino [Carta ao Mino] A CASA. COMO CONVÉM.
Poster.
— Mailing Address, A CASA. COMO CONVÉM.
Invitations to artists.
Translated with the aid of DeepL and reviewed.